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JH: My background in Haiti following the earthquake was a turning point in my life. Witnessing the devastation firsthand opened my eyes to the fragility of human existence and the power of art to capture and express these emotions. It was at that moment that I felt a calling to pursue an artistic career. How has your experience in Ireland shaped your artistic perspective, and what inspired you to create the Passersby series?

JH: Moving to Ireland offered me a new perspective on life and art. I was inspired by the diverse faces of passersby on the streets, and the Passersby series became my way of capturing the essence of humanity in its most vulnerable state.

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Can you discuss the artistic choices behind depicting "faces without faces" in the Passersby series and the emotions you aim to evoke? JH: In the Passersby series, the "faces without faces" represent a sense of loss and the struggle to rebuild one's identity after a disaster. I wanted to evoke emotions of empathy and understanding from my audience by focusing on our shared human experiences.

How does Goethe's Theory of Colors influence your work, particularly in the Passersby and Bystanders series? JH: Goethe's Theory of Colors has been a significant influence on my work, particularly in the way I use colors to convey emotions and narratives. By understanding the relationships between colors, I can create more profound and dynamic paintings.

What role do the themes of politics, history, and humanity play in your artwork, especially in the Bystanders series? JH: The themes of politics, history, and humanity are intertwined in my work. The Bystanders series, for example, is a reflection of how we collectively bear witness to events that shape our world. I aim to raise awareness and spark conversations about the societal and political implications of these moments.